Breaking down “Taylor Swift” eras and her descent into sin.

Folklore (2020): “Cardigan” & Evermore (2020): “Willow”

Let’s be honest, no one remembers these songs or these eras. Destined to be forgotten, just like the fake news NWO panic over “Covid” (not sure Covid even existed, but if it did, it was a Chinese bioterror weapon).

All that needs to be known about these eras is that they are full-on celebrations of Paganism from beginning to end.

Nah, my bro, I never forgot these absolute gems ✨

Fearless (2008): “You Belong With Me”

Another solid track. Good clean family fun. Lyrics revolve around competition over a boy with a preppy cheerleader. Taylor imagines herself as the dork, showing how God values us all no matter what messages the Leftist media sends us. Adolescent in approach, but the little ones are allowed some silliness after all.

1989 (2014): “Shake It Off”

First of all, this album came out in the wrong year. Some say it’s titled after her birth year. If that’s true (we don’t even know if she exists, but this is the “official” narrative, so we’ll assume it’s true for now), imagine naming an album after your birth year just assuming people will “get it.” Narcissistic, prideful in the extreme.

Anyway. This song is often played at weddings (wholesome, godly), but during the reception (sinful part). The lyrics talk about shaking off bad vibes (healthy, adaptive), but are also a double-entendre with the idea of dancing, which as we know leads to so much sin. I can’t tell if she’s trying to sell God to the unwashed masses or trying to sell sin to the godly. This was around the time she moved to New York (“Welcome to New York”) (Democrat-run city), so sadly, it’s probably the latter.

Overall: borderline.

Speak Now (2010): “Mine”

I don’t really remember this one, but the chorus discusses turning into a “rebel,” which certainly checks out with how her “career” developed.

Midnights (2022): “Anti-Hero”

And now we’re up to speed with the current era. Oh boy. What a mess. “Anti-Hero” is just as it sounds, a track glorifying being the bad guy/girl without showing a shred of compassion or introspection whatsoever. “Bejeweled” is all about the sin of lust and, in a new shameful twist for her, greed. “Lavender Haze” probably has something to do with drugs — I’m not keeping up with all the new “street” names. “Karma” attempts to summon Satanic powers on her behalf to punish foes. “Mastermind” is a brag about how she has the world wrapped around her finger. I’ve already exhaustively documented how she’s now brazenly deploying clones in her music videos. This one is just all over the place, which is exactly why the Woke Left loves it.

Lover (2019): “You Need to Calm Down”

Everyone knows this one is plastered with pro-LGBTQ references and lyrics. Something something about Love Being Love and all that crap. No, Taylor, you need to calm down. Stop pushing your woke Leftist agenda onto decent hardworking Americans and then we can talk. Enough said.

Red (2012): “I Knew You Were Trouble”

She talks about falling for a boy (typical), with narrative tension introduced by her realization that the boy is “trouble.” She discusses feeling “shame” over this, which is healthy and adaptive. Still, can’t help but wonder if all of this amounts to normalizing dating men who are on a godless path.

Taylor Swift (2006): “Teardrops on my Guitar”

This is a pretty decent and sweet tune. Country music (godly, patriotic) which is always good to see. Definitely one of her best eras, before she went off the rails later. Indeed, the song’s references to “guitar” (classic sinful instrument, gateway drug into error) hint at trouble ahead.

Reputation (2017): “Look What You Made Me Do”

The devil now firmly has the wheel with this outright celebration of pride, wrath, and every other sin. Some say that this “villain” era was creatively inspired by the fact that she went into hiding for a whole year over public harassment. Well, they haven’t considered that “Taylor Swift” should have never had a public career in the first place. The home is the place for godly women, and this era only underscores that.

Moving to New York was obviously not good for her mental health. This album cover was even printed in New York Times font (fake news) just to rub it in. And all it says is “Taylor Swift,” over and over again: just look at all that narcissism. Overall: Avoid at all costs.

NazYe knew

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