Ah! This was one of my favourite cartoons as a child! I'd watch it every Saturday morning. Now, Scrooge was my least favourite as a kid because of how sometimes he didn't encourage Huey, Duey, and Louie to go on all the adventures they wanted to, but not having revisited the series as an adult, I don't know whether I'd feel differently now. Nevertheless, I love the drawing! It takes me straight back to such a simpler time. Love the detailing on the money bin building, especially the sheen on the dollar sign, and his expression is so on point. Although he's a cartoon duck, the care taken to make his expression and attitude simultaneously cantankerous yet also have some flair and eccentricity (both of which were standout traits of his character in the series) is impeccable. The bright, vibrant colouring of the light grass and backdrop perfectly encapsulates the style of nearly all of the cartoons of my day. One thing that astonishes me about this artist is the range of references she knows. Sure, she's one of the youngest people I know (she's even marginally younger than my niece), but this girl isn't only just drawing TikTok stars and current fashion trends (although her work in modern figures is still as great as all the rest, such as some of her works of current pop stars, modern animations and young actors). This young lady is not only aware, but has familiarized herself enough with works, characters, and figures from even my time and even before that. Sure, she's into Rise of the Guardians, Billie Eilish, Tegan and Sara, and the like, but she's also proven herself time and again to be just as astute in 90s culture (see her skateboarding phase, her Kurt Cobain portrait, and several of her grungy-looking characters), the 80s (who can ignore her passion for metal, and even when that's not the focus, she's also an expert on 80s girl fashion trends, colours, and aesthetics, as showcased in much of her original pieces), and even life from before my parents were born (The Doors, anyone? Her Morrison portrait made me tear up, remembering my own father who loved the band, and even older than that, as occasionally she'll give her characters a quirky 1950s essence, a Victorian Gothic flair, or a 40s rubber hose cartoon aesthetic). Her seemingly immortal reference pool, though, aids her greatly in her work, as no two pieces look alike, even when they're of the same or similar figures. She doesn't seem to gravitate more heavily toward any one era, instead giving