✨ ARRIVAL — MIKE CROWFONE (the crow-riding, scrambled-showman)
A sudden flap of a hundred midnight wings, and a black silhouette drops down — a crow wears a saddle. Perched in it: a small, twitchy cat-doll in a mended trench coat with eyes like mismatched coins. He caws into the clearing in a voice that stutters and bends letters.
Mike (unstable, excited):
“Th!s 1s @n ex̃ample—NO, LISTEN—
CROW—CROW—C @ W—BOOM—!”
He draws a tiny blaster — the Caw-boom Cannon — and fires one egg-projectile into the scrub: it pops into a flock of crow-shaped shrapnel that flutters down like confetti.
Scampton (giddily): “[PERFECT! A NEW ACT—NEW [MINI-GAMES]!!]”
Skrunkly: “I love crows!”
The Stranger (admiringly): “Showmanship with a murder-blast — yes, yes.”
Mike hops down, wobbly and theatrical, speaking in an improvisational mix of hammy lines and glitch:
Mike: “L@d1es—@nd—gentlemen—ME—IS—YO—FRIEND!!”
Scampton: “[WE’LL HAVE A DUET!!]”
Junkil (eyes glinting): “This could be chaos therapy.”
Goobert (curious): “:3 do you have snacks?”
Mike (mental skip, voice fizzing): “SNACKS—SNACKS—SN@CKS—NO—BUY ME—BUY ME—B U Y—”
His energy is contagious and unnerving — half carnival barker, half panicked radio host. He laughs, then whispers something about “Chains” that nobody fully understands.
Reaction roundup:
Scampton and The [GREATS] swarm him like moths to a bulb. Scampton offers roles in the “main show”; The Stranger offers mimicry duets; Spunch Bob is gone, but Skrunkly bounces in welcome.
Some express suspicion: Oliver murmurs, “Unstable is dangerous.”
Junkil grins — he’s thrilled by a kindred spirit of chaos.
End of his section: Scampton claps and practically drags Mike into THE [GREATS]. Mike squeals, cackles, and immediately starts plotting a “crow-cannon” routine that will confuse enemy camps. He accepts with a theatrical bow and a salvo of star-projectiles that set leaves dancing.