🕰️ NOTABLE EVENT 2 — The Clock Confronts Wembry
Late. Wembry wanders alone, restless, far from Oliver’s camp. She’s chewing and jittery — the night pressed against her with every snap of twig and creak of branch. The forest seems to lean in.
A soft, metronomic tick approaches. The Clock is there — not moving toward anything, just present, its face unreadable. It steps so close that her breath fogs the glass of its brass face.
Wembry (voice tiny): “Wh— who are you? Why do you keep appearing?”
The Clock (voice like old wood, patient): “I measure what is given and what is taken. I have counted more years than your bones can hold.”
For a long time the Clock does not speak of the Games or the Capitol. Instead it pulls the long thread of its own memory, and Wembry, small and frightened, becomes the listener.
The Clock (quiet, as if peeling a century): “I have watched empires rise, watched flourishes of joy and the dull hum of ruin. I have been turned, wound, stopped, and restarted. I have ticked with children’s laughter and clanged at the fall of kings. Time taught me two things: moments are both smaller and larger than you imagine; and the fear of stepping is worse than the step itself.”
Wembry shivers. The Clock’s words are not consolations; they are very old weather.
Wembry (whisper, raw): “But I… I feel small. I mess up. I trip. I’m loud and clumsy…”
The Clock (a gentler tick): “There is a place for small things. My face is worn from being touched by hands both tender and cruel. Those hands are not weak — they decide. You are not the mistake. You are the ongoing decision. Step forward because the step is yours, not because someone watches.”
There’s a long pause. The Clock’s hand moves — not in the way it did when it killed, but an infinitesimal shift, as if approving.
The Clock: “Confound time with meaning. Find the measure you will keep, not the measure others set for you.”
Wembry feels heat under her skin — not fear, not quite courage, but steadiness.
Wembry (voice steadier): “I— I’ll try. I’ll watch the watchers. I’ll— I’ll be less scared.”
The Clock (a last soft tick): “Then step.”
When it leaves, it does not walk away harshly; it walks in a straight line, leaving Wembry with a thin knot of resolve in her chest. She returns to Oliver’s camp with quicker steps, shoulders less hunched — a small, tangible shift. The Clock’s confession of eight thousand years is not melodrama; it is a parable, and it stitches a seam in Wembry: confidence begins