Drake Hotline Bling

What's new on image flip?

LEADER BOARD UPDATE: the new king of image flip is who_am_i with them claiming the crown from nonother than ray dog

NEW UPDATE: in 3 weeks time we will see up to about a 2-day downtime for the site but it will be worth it because we can now make music parodies on this site and bug fixes another thing is the layout and format of our site will be changed so comments will not go down but across

TOXIC COMMENTS: our team are currently trying to work on the flag button following a series of cyberattacks on our site WE WILL NOT TOLERATE ANY OF THIS BEHAVIOR

Wow sirr

In literary theory, a text is any object that can be "read", whether this object is a work of literature, a street sign, an arrangement of buildings on a city block, or styles of clothing. It is a coherent set of signs that transmits some kind of informative message.[1] This set of signs is considered in terms of the informative message's content, rather than in terms of its physical form or the medium in which it is represented.

Within the field of literary criticism, "text" also refers to the original information content of a particular piece of writing; that is, the "text" of a work is that primal symbolic arrangement of letters as originally composed, apart from later alterations, deterioration, commentary, translations, paratext, etc. Therefore, when literary criticism is concerned with the determination of a "text", it is concerned with the distinguishing of the original information content from whatever has been added to or subtracted from that content as it appears in a given textual document (that is, a physical representation of text).

Since the history of writing predates the concept of the "text", most texts were not written with this concept in mind. Most written works fall within a narrow range of the types described by text theory. The concept of "text" becomes relevant if and when a "coherent written message is completed and needs to be referred to independently of the circumstances in which it was created."[citation needed]

Etymology
The word text has its origins in Quintilian's Institutio Oratoria, with the statement that "after you have chosen your words, they must be weaved together into a fine and delicate fabric", with the Latin for fabric being textum

n linguistics, the topic, or theme, of a sentence is what is being talked about, and the comment (rheme or focus) is what is being said about the topic. This division into old vs. new content is called information structure. It is generally agreed that clauses are divided into topic vs. comment, but in certain cases the boundary between them depends on which specific grammatical theory is being used to analyze the sentence.

Topic, which is defined by pragmatic considerations, is a distinct concept from grammatical subject, which is defined by syntax. In any given sentence these may be the same, but they need not be. For example, in the sentence "As for the little girl, the dog bit her", the subject is "the dog" but the topic is "the little girl".

Topic and subject are also distinct concepts from agent (or actor)—the "doer", which is defined by semantics. In English clauses with a verb in the passive voice, for instance, the topic is typically the subject, while the agent may be omitted or may follow the preposition by. For example, in the sentence "The little girl was bitten by the dog", "the little girl" is the subject and the topic, but "the dog" is the agent.

In some languages, word order and other syntactic phenomena are determined largely by the topic–comment (theme–rheme) structure. These languages are sometimes referred to as topic-prominent languages. Korean and Japanese are often given as examples of this.

Contents
1 Definitions and examples
2 Realization of topic–comment
2.1 In English
2.2 In other languages
3 Practical applications
4 History
5 See also
6 References
7 Further reading
8 External links
Definitions and examples
The sentence- or clause-level "topic", or "theme", can be defined in a number of different ways. Among the most common are

the phrase in a clause that the rest of the clause is understood to be about,
a special position in a clause (often at the right or left-edge of the clause) where topics typically appear.
In an ordinary English clause, the subject is normally the same as the topic/theme (example 1), even in the passive voice (where the subject is a patient, not an agent: example 2):

The dog bit the little girl.
The little girl was bitten by the dog.
These clauses have different topics: the first is about the dog, and the second about the little girl.

In English it is also possible to use other sentence structures to show the topic of the sentence, as in the following:

As for the little girl, the dog bit her.
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